Download Automatic Equalization for Individual Instrument Tracks Using Convolutional Neural Networks We propose a novel approach for the automatic equalization of individual musical instrument tracks. Our method begins by identifying the instrument present within a source recording in order to choose its corresponding ideal spectrum as a target. Next, the spectral difference between the recording and the target is calculated, and accordingly, an equalizer matching model is used to predict settings for a parametric equalizer. To this end, we build upon a differentiable parametric equalizer matching neural network, demonstrating improvements relative to previously established state-of-the-art. Unlike past approaches, we show how our system naturally allows real-world audio data to be leveraged during the training of our matching model, effectively generating suitably produced training targets in an automated manner mirroring conditions at inference time. Consequently, we illustrate how fine-tuning our matching model on such examples considerably improves parametric equalizer matching performance in realworld scenarios, decreasing mean absolute error by 24% relative to methods relying solely on random parameter sampling techniques as a self-supervised learning strategy. We perform listening tests, and demonstrate that our proposed automatic equalization solution subjectively enhances the tonal characteristics for recordings of common instrument types.
Download Synthesizer Sound Matching Using Audio Spectrogram Transformers Systems for synthesizer sound matching, which automatically set the parameters of a synthesizer to emulate an input sound, have the potential to make the process of synthesizer programming faster and easier for novice and experienced musicians alike, whilst also affording new means of interaction with synthesizers. Considering the enormous variety of synthesizers in the marketplace, and the complexity of many of them, general-purpose sound matching systems that function with minimal knowledge or prior assumptions about the underlying synthesis architecture are particularly desirable. With this in mind, we introduce a synthesizer sound matching model based on the Audio Spectrogram Transformer. We demonstrate the viability of this model by training on a large synthetic dataset of randomly generated samples from the popular Massive synthesizer. We show that this model can reconstruct parameters of samples generated from a set of 16 parameters, highlighting its improved fidelity relative to multi-layer perceptron and convolutional neural network baselines. We also provide audio examples demonstrating the out-of-domain model performance in emulating vocal imitations, and sounds from other synthesizers and musical instruments.